This book critically analyses the 2011 intervention in Libya arguing that the manner in which the intervention was sanctioned, prosecuted and justified has a number of troubling implications for the both the future of humanitarian intervention and international peace and security.

This book serves as analysis of the aesthetics of materiality in the multifaceted work of Antonin Artaud, one of Twentieth-Century France's most provocative and influential figures, spanning literature, performance, art, cinema, media and critical theory.