Musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action, and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. An integral experience of music demands a transdisciplinary dialogue with other domains as well.
Music, Analysis, Experience brings together contributions by semioticians, performers, and scholars from cognitive sciences, philosophy, and cultural studies, and deals with fundamental questions....
Musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action, and experi...
Sylvain Breteche (Aix-Marseille Universite), Guillaume Deveney (Aix-Marseille Universite), Carole Egger (Universite de Strasbourg), Christine Esclapez (Aix-Marseille Universite ), Marta Grabocz (Universite de Strasbourg), Michel Imberty (Universite de Paris X, Nanterre), Thomas Le Colleter (Universite Paris-IV Sorbonne), Gabriel Manzaneque (Aix-Marseille Universite), Zaven Pare (Universidade Federal do Rio de Janeiro), Isabelle Reck (Universite de Strasbourg), Mathias Rousselot (Aix-Marseille Universite)
