The cultural discourse of theatrical performance defines the theatre sign interaction as an active semiosis. This, in turn, specifies the main objective of the study the formulation of the basic parameters of this architectonics as a fundament of theatralite. Since the time of Antiquity the theatre has always been discussing general aesthetic, philosophical, ethical and social issues in the context of a visual image of the specific objects of an intellectual discourse. The book takes a close look at this process of signification, formation of meanings, presentation and...