In this scintillating volume, K. A. Opperman immediately places himself in the forefront of contemporary weird verse. Deeply influenced by Clark Ashton Smith, George Sterling, and other masters of the form, Opperman nonetheless reveals a vibrancy and originality of outlook that stamps his poetry as very much his own. A master of several of the most rigorous forms of metrical poetry-the sonnet, the quatrain, the rhyming couplet-Opperman's poetic brilliance conveys, seemingly without effort, images of terror, gruesomeness, and bleak melancholy. The book concludes with tributes to Opperman by D....