The study offers an interdisciplinary analysis of Harold Pinter s dramatic discourse and focuses on the way power makes the characters play on the borders of linguistic, spatial, narrative and gender configurations. It examines the experimental nature of Harold Pinter s dramatic technique and how he compromises both the realistic and the absurd dramatic formulae. The study also investigates the narrative of the past a new dramatic technique in Pinter s Plays, which brings into focus the inner life of the characters without causing any severe disturbance to the realistic conventional formula....