This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus Research Centre in Music (ORCiM) in Ghent, Belgium.
The book critically examines experimentation in music of different historical eras. It is essential reading...
This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-di...
