More than 60 years have passed since Julius Bahle's fundamental study of the creative musical process in 1936. Although Bahle gave the green light to a systematic investigation of creative musical processes, a simple repetition of his approach would not be possible nowadays because the historical development of the artist's position has become a mixture of the former, separated roles: Today the interpreter also serves as a composer, or the listener as an interpreter. For these reasons the editors were convinced that a new approach to the topic of creative processes in music could not be...