The collection, interpretation and display of art from the People s Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of Chineseness and their style, content and the means of their production question accepted notions of how we perceive art. This book links art history, museology and visual culture studies to examine how museums have attempted to reveal, discuss and resolve some of these issues. Amy Jane Barnes addresses a series of related issues associated with collection and display: how museums...