Can female-authored French and German crime novels be read as part of an international phenomenon of feminist revisions of the crime genre? This book examines the status of female crime writers and their female investigators in France and Germany, focusing on four novels of the 1990s and their reception. In Germany the rise of the Frauenkrimi has been accompanied by fears of ghettoization on the part of women writers, and hostile reactions from critics to perceived feminist ideology, while in France the encroachment of women on the masculine terrain of the roman noir has given...