This volume is a pioneering study in the theory and history of the imitation of music in fiction and constitutes an important contribution to current intermediality research. Starting with a comparison of basic similarities and differences between literature and music, the study goes on to provide outlines of a general theory of intermediality and its fundamental forms, in which a more specialized theory of the musicalization of (narrative) literature based on contemporary narratology and a typology of the forms of musico-literary intermediality are embedded. It also addresses the question of...

Podle titulu publikace by se mohlo zdát, že popis je nesmírně sofistikovaný vědecký problém. Anglista a přední reprezentant intermediálních studií Werner Wolf nás ale ujišťuje, že popis je především nesmírně zajímavý. A to jako jeden ze způsobů, jímž manifestujeme svá pozorování a osvojování skutečnosti. Zvláště pak tehdy, podíváme-li se na něj zprvu z hlediska jeho užití v každodenní komunikaci, filozofii či exaktních vědách, a toto nastřádané vědění porovnáme s tím, jak popisu rozumíme v literární vědě. Analýza popisnosti v...

This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universitat Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. It renders accessible a wide variety of texts which are sometimes no longer easily retrievable. The 37 texts collected here in chronological order span the period from 1985 to 2013 and thematically range from contributions to opera programmes and the discussion of musical aspects of Romantic and modernist poetry to inquiries into individual operas and...

This volume focusses on the rarely discussed reverse side of traditional, 'given' objects of studies, namely absence rather than presence (of text) and silence rather than sound. It does so from the bifocal and interdisciplinary perspective which is a hallmark of the book series Word and Music Studies. The twelve contributors to the main subject of this volume approach it from various systematic and historical angles and cover, among others, questions such as to what extent absence can become significant in the first place or iconic (silent) functions of musical scores, as well as discussions...