In Private Lives, Public Deaths, Jonathan Strauss shows how Sophocles' tragedy Antigone crystallized the political, intellectual, and aesthetic forces of an entire historical moment--fifth century Athens--into one idea: the value of a single living person. That idea existed, however, only as a powerful but unconscious desire. Drawing on classical studies, Hegel, and contemporary philosophical interpretations of this pivotal drama, Strauss argues that Antigone's tragedy, and perhaps all classical tragedy, represents a failure to satisfy this longing. To the extent that the value of a living...