Why have films with diasporic family narratives increased in popularity in recent years? How do representations of the diasporic family differ from those of more dominant social groups? How does diasporic cinema negotiate the conventions of film genres commonly associated with the representation of the family?
In the age of globalisation, diasporic and other types of transnational family are increasingly represented in films such as East is East, Le Grand Voyage, Almanya - Welcome to Germany, Immigrant Memories, Couscous, When We Leave, Monsoon Wedding and My Big Fat Greek Wedding. While...

Why have films with diasporic family narratives increased in popularity in recent years? How do representations of the diasporic family differ from those of more dominant social groups? How does diasporic cinema negotiate the conventions of film genres commonly associated with the representation of the family?
In the age of globalisation, diasporic and other types of transnational family are increasingly represented in films such as East is East, Le Grand Voyage, Almanya - Welcome to Germany, Immigrant Memories, Couscous, When We Leave, Monsoon Wedding and My Big Fat Greek Wedding. While...

The award-winning love story Head-On (2004) has been embroiled in Turkish-German identity politics since its release. Opening up fresh lines of enquiry, Daniela Berghahn's detailed and entertaining account of the film's production history and reception instead situates the film in the rich context of global art cinema and transnational melodrama.