Lina Khatib examines the cinematic depictions of major political issues, from the Arab-Israeli conflict to the Gulf War, to Islamic fundamentalism, looking at films made in the US, in Egypt, Tunisia, Morocco, Lebanon, Syria and Palestine. She explores cinema's role as a tool of nationalism in the US and the Arab world, and the challenges the Arab cinemas present to Hollywood's dominant representations of Middle Eastern politics.

Modern Lebanese cinema can best be explored in the context of the Civil War, in part because almost all the Lebanese films made since its outset in 1975 have been about this war. Lina Khatib takes 1975 Beirut as her starting point, and takes us right through to today for this, the first major book on Lebanese cinema and its links with politics and national identity.
She examines how Lebanon is imagined in such films as Jocelyn Saab's 'Once Upon a Time, Beirut', Ghassan Salhab's 'Terra Incognita', and Ziad Doueiri's 'West Beirut'. In so doing, she re-examines the importance of cinema to...