Since antiquity through to the present, architecture and the pictorial arts (paintings, photography, graphic arts) have not been rigidly separated but interrelated - the one informing the other, and establishing patterns of creation and reception. In the Classical tradition the education of the architect and artist has always stressed this relationship between the arts, although modern scholarship has too often treated them as separate disciplines. These volumes explore the history of this exchange between the arts as it emerged from classical theory into artistic and architectural practice....

Wood or stone, wax or silk - materials shaped the meaning of early modern art. Transformed and crafted from the matter of nature, art objects were the physical embodiment of both the inherent qualities of materials and the forces of culture that used and produced them. The making and marketing of art depended upon the manipulation of both exotic and everyday materials; and interest in materials and objects reached a peak in the years between 1250 and 1750, spurred on by expanding networks of global trade, nation-building, and scientific exploration.

Drawing on new research and models from...