Against the background of the regeneracionist movement that aspired to place late nineteenth-century Spain back on the European map for the fullest manifestation of its plenitud cultural, this study portrays Pedrell (1841-1922) as the first regeneracionist to create a historiographic documentation of Spanish music, using research standards that were innovative, qualitative and critical for his own time. The historiographic turn about in the study of Spanish music in the late nineteenth and early twentieth century, through the efforts of Felipe Pedrell, is presented here in relation to...
Against the background of the regeneracionist movement that aspired to place late nineteenth-century Spain back on the European map for the fullest ma...
