Franz Liszt, Bernhard Stavenhagen, Franz Liszt, Bernhard Stavenhagen
Liszt started working on his first foray into the concerto genre as early as 1830, only completing the work in its present form in 1849. He appeared as soloist in the premiere, given at Weimar on Febrary 17, 1855, with the Staatskappelle under the direction of Hector Berlioz. The concerto has been a staple of the repertoire ever since. Just in time for the Liszt bicentennial, this new score is a digitally-enhanced reprint of the one first issued by Breitkopf und Hartel in 1914 as part of the composer's complete works.
Liszt started working on his first foray into the concerto genre as early as 1830, only completing the work in its present form in 1849. He appeared a...
Liszt's dark paraphrase on the Gregorian chant "Dies irae" for piano and orchestra was planned as early as 1838 but actually composed between 1847 and 1853, with a revision in 1864. The work was given its premiere in this revised version in the Hague, with Liszt's student Hans von Bulow as soloist. The score reproduced here was originally issued in 1914 by Breitkopf & Hartel of Leipzig as part of the 13th volume of "Franz Liszt: Musikalische Werke," edited principally by Bernhard Stavenhagen. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free...
Liszt's dark paraphrase on the Gregorian chant "Dies irae" for piano and orchestra was planned as early as 1838 but actually composed between 1847 and...