The eleventh in Liszts series of thirteen tone poems for orchestra, "Hunnenschlacht" or Battle of the Huns - composed from 1855-57 - was inspired by a painting of the same title by Wilhelm von Kaulbach which portrayed the legendary Battle of the Catalaunian Plains between the Huns under Attila and a coalition of Romans, Visigoths and others fought around June 20, 451, where the fighting was supposedly so bitter that the spirits of the fallen warriors continued the battle in the skies above the field. Liszt conducted the premiere himself in Weimar on 29 December 1857. This new study score is a...

"Die Ideale" is the penultimate work of the revolutionary series of thirteen tone poems Liszt composed for orchestra. It may have been originally intended as the final one, since the final symphonic poem followed more than two decades after this works completion and premiere - which took place on 9 September 1857 with the Weimar Hofkapelle conducted the composer. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the sixth volume of the Liszt-Stiftung edition, published in 1910. As with all PLP scores a percentage of each sale is donated to the...

The ninth in his ground breaking series of thirteen tone poems for orchestra, Liszts "Hungaria" or Heroic Elegy was composed in 1854 and given a tremendously successful premiere in Budapests National Theatre on 8 September 1856 under the composers direction. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fifth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

"Hamlet", inspired by the well-known Shakespeare tragedy, is number ten in Liszts series of thirteen tone poems for orchestra. It was composed in 1858 but did not receive its premiere for 18 years - on 2 July 1876 in Sonderhausen. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fifth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Number 8 in his series of thirteen tone poems for orchestra, Liszt's "Heroide funebre" or 'Heroic Elegy' was composed from 1849-56 and given its premiere in Breslau on 10 November 1857 with the composer conducting. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fourth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library."

The first of a ground-breaking series of thirteen works for orchestra, Liszts "Ce quon entend sur la montagne" (What One Hears in the Mountains) drew its inspiration from a poem by Victor Hugo. Composed from 1848-54, it was given its premiere in Weimar in January of 1857 with the composer conducting the Weimar Hofkapelle.

This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the first volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores...

The third of the ground-breaking series of thirteen works composed for orchestra, Liszt's "Les Preludes" was inspired by Alphonse de Lamartine's "Nouvelles meditations poetiques." Composed from 1850-54, it was given its premiere in Weimar 23 February 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the second volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings,...

Liszts fourth entry in his revolutionary series of thirteen symphonic poems, "Orpheus" was penned to serve as an introduction to the Weimar premiere of Glucks opera on the same story "Ofeo ed Euridice". Composed from 1853-54, it was given its premiere in Weimar 16 February 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the second volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music...

The fifth of Liszts revolutionary series of thirteen symphonic poems, "Prometheus" started life in 1850 as a dramatic cantata for chorus and orchestra set to Johann Gottfried Herders "Der entfesselte Prometheus" Liszt subsequently extended and reorchestrated the overture into the symphonic poem and conducted its premiere in Braunschweig on 18 October 1855. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the third volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing...

The sixth of the revolutionary series of thirteen tone poems for orchestra, Liszts "Mazeppa" was inspired by the French version of Lord Byrons famous poem by Victor Hugo. Composed from 1851-54, it was given its premiere in Weimar on 16 April 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the third volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP -...