Video Art Theory: A Comparative Approach demonstrates how video art functions on the basis of a comparative media approach, providing a crucial understanding of video as a medium in contemporary art and of the visual mediations we encounter in daily life.

• A critical investigation of the visual media and selected video artworks which contributes to the understanding of video as a medium in contemporary art
• The only study specifically devoted to theorizing the medium of video from the perspective of prominent characteristics which result from how video...

Video Art Theory: A Comparative Approach demonstrates how video art functions on the basis of a comparative media approach, providing a crucial understanding of video as a medium in contemporary art and of the visual mediations we encounter in daily life.

• A critical investigation of the visual media and selected video artworks which contributes to the understanding of video as a medium in contemporary art
• The only study specifically devoted to theorizing the medium of video from the perspective of prominent characteristics which result from how video...

The abundance of images in our everyday lives- and the speed at which they are consumed seems to have left us unable to critique them. To rectify this situation, artists such as Gerhard Richter and Artur Zmijewski have demonstrated that painting is brilliantly equipped to produce `slow images' that enable, encourage and reward reflection. Here, Helen Westgeest attempts to understand how various forms of slow painting can be used as tools to interrogate the visual mediations we encounter daily. Painting was expected to disappear in the digital age, but through interactive painting performances...