A Reading of Jane Austen (first published by Peter Owen in 1975) has established itself with critics and readers as an outstanding contribution to the growing literature on this author, full of fresh and stimulating perceptions. Central to the work is Barbara Hardy's view of Jane Austen as the originator of the modern novel, largely through her creation of a new and flexible medium enabling her to move easily from sympathy to detachment, from one mind to many minds, from solitary scenes to social gatherings.
A Reading of Jane Austen (first published by Peter Owen in 1975) has established itself with critics and readers as an outstanding contribution to the...
Not for publication: 'promises to present the distilled understanding and insight of Professor Hardy's lifetime engagement with George Eliot...strengths lie in the sensitive close reading that distinguishes Barbara Hardy's criticism and in the fascinating links and echoes between life and fiction that her comprehensive knowledge of the novelist's writing enables her to find...the proposed book would be accessible to a wide general readership and Barbara Hardy's established reputation would be a selling point in itself.' Readers report from John Rignall (Reader at University of Warwick...
Not for publication: 'promises to present the distilled understanding and insight of Professor Hardy's lifetime engagement with George Eliot...s...
Charles Dickens's experience and imagining of creativity is at the heart of his self-awareness, subject-matter and narrative. His intelligence works intuitively rather than conceptually and ideas about imagination often emerge informally in personal letters and implicitly through characters, language and story. His self-analysis and reflexive tendency are embedded in his styles and forms of narrative and dialogue, images of normality, madness, extremity, subversion and disorder, poetry and inter-textuality, anticipating and shaping the languages of modernism, influencing James Joyce and...
Charles Dickens's experience and imagining of creativity is at the heart of his self-awareness, subject-matter and narrative. His intelligence works i...
In the title essay, Professor Hardy argues for the special advantage of lyric over other other literary genres in conveying intense private feelings publicly. She then gives detailed consideraton to the lyric poetry of John Donne, Arthur Hugh Clough, and a group of poets central to the modernist canon: Hopkins, Yeats, Aden, Dylan Thomas, and Sylvia Plath. Those interested in W.H. Auden will find the book of particular value, since Auden occupies a central place in it. W.H. Auden has frequently been held up as the modern example par excellence of a 'public poet' whose works betray...
In the title essay, Professor Hardy argues for the special advantage of lyric over other other literary genres in conveying intense private feeling...
In this substantial essay on the novel (first published in 1964) Barbara Hardy distinguishes three integral aspects of the art of fiction - story, the working-out of a moral problem, and "truthfulness," defined as "the lively representation of reality." From this standpoint she discusses and elucidates some characteristic excellences and limitations of a number of major novels and novelists, including Defoe, Charlotte Bronte, George Eliot, Meredith, James, Hardy, E. M. Forster, and D. H. Lawrence.
In this substantial essay on the novel (first published in 1964) Barbara Hardy distinguishes three integral aspects of the art of fiction - story, ...
Charles Dickens's experience and imagining of creativity is at the heart of his self-awareness, subject-matter and narrative. His intelligence works intuitively rather than conceptually and ideas about imagination often emerge informally in personal letters and implicitly through characters, language and story. His self-analysis and reflexive tendency are embedded in his styles and forms of narrative and dialogue, images of normality, madness, extremity, subversion and disorder, poetry and inter-textuality, anticipating and shaping the languages of modernism, influencing James Joyce and...
Charles Dickens's experience and imagining of creativity is at the heart of his self-awareness, subject-matter and narrative. His intelligence work...
Ivy Compton-Burnett is a strikingly original novelist, writing conversation-novels in which talk is the medium and subject. She is innovative like Joyce and Woolf but more accessible and less theoretical, a modernist unawares. She makes readers think and her terse cool witty style reminds us that the novel is an art. To read most living writers of fiction after reading her is to feel novelists have become lazy and made their readers lazy. She requires attention, and she doesn't write to pass the time or invite identification, but she is amusing and challenging. This re-valuation of a...
Ivy Compton-Burnett is a strikingly original novelist, writing conversation-novels in which talk is the medium and subject. She is innovative like Joy...
