This edition of Walton's principal orchestral overtures has been off-printed from the William Walton Edition full scores, edited by David Lloyd Jones. It combines the scholarship of the main edition with the practical benefits of a study score format, and includes an introduction by the editor.

This edition of Walton's Cello Concerto has been off-printed from the Wiliam Walton Edition full score, and combines the scholarship of the Edition (including an introduction by the editor) with the practical benefits of a study score format. Dating from 1956, the work was commissioned by Gregor Piatigorsky and premiered by him the following year. Walton regarded this work as the best of his three solo concertos. Orchestral material is available on hire/rental.

This edition of Walton's Violin Concerto (1943) combines the scholarship of the William Walton Edition with the practical benefits of a study score. It includes an introduction by the editor, David Lloyd-Jones.

This edition of Walton's Facade: First and Second Suites for Orchestra has been off-printed from the William Walton Edition full scores. It combines the scholarship of the main edition with the practical benefits of a study score format, and includes an introduction by the editor. Orchestral material is available on hire/rental.

This study score has been off-printed from OUP's conductor's score (available on hire), edited by David Lloyd Jones. Based on Mussorgsky's [Musorgsky's] original autograph from 1867 rather than the famous arrangement by Rimsky-Korsakov, it combines the scholarship of the conductor's edition with the practical benefits of a study score format. This edition takes account of practical performing considerations, where necessary, and includes an introduction by the editor. Orchestral material is available on hire/rental.

Vaughan Williams wrote his Symphony No. 8 between 1953 and 1955, when he was in his eighties. It is his shortest symphony, and is considered by many to be his least serious. Aside from a few sombre moments, the symphony is optimistic in mood and displays Vaughan Williams's love for exotic and colourful combinations of instruments, with a percussion sections that, he said, employs 'all the 'phones and 'spiels known to the composer'. For this newly engraved edition, editor David Lloyd-Jones has consulted all extant sources and materials to create a score matching the composer's intentions. The...

Vaughan Williams wrote Symphony No. 8 between 1953 and 1955 while in his eighties. It is his shortest symphony and considered by many to be his least serious. Aside from a few sombre moments, the symphony is optimistic in mood and displays Vaughan Williams's love for exotic and colourful combinations of instruments with a percussion sections that, he said, employs "all the 'phones and 'spiels known to the composer". For this newly engraved edition, editor David Lloyd-Jones has consulted all extant sources and materials to create a score matching the composer's intentions. The full score is...

Based on research from all 24 volumes of the William Walton Edition, this detailed and updated account covers the genesis, performance, and publication of the works of one of Britainas leading composers. Highly readable yet authoritative, it provides a fascinating background to the stage works, film-scores, and orchestral, vocal, and instrumental pieces, providing both overview and chronology.

This four-act comic opera celebrating Shakespeares Sir John Falstaff was given its first professional performance in 1946. The libretto, written by the composer, is based on The Merry Wives of Windsor, and interpolates texts by contemporaries of Shakespeare such as Christopher Marlowe, Ben Jonson, and Thomas Campion. The work contains English folksong material and fine examples of the composer's orchestral lyricism and dramatic flair. Music from the opera was later adapted to form the cantata In Windsor Forest and the Fantasia on Greensleeves. For this comprehensive new edition, the editor...