This volume is a collection of 37 of the best pieces for use at carol services, Christmas services, and Christmas concerts. It includes a number of exciting new pieces on established tunes (from Andrew Carter, Gerre Hancock, and David Willcocks, among others), as well as excellent new arrangements of popular Christmas pieces.

The Oxford Book of Lent and Easter Organ Music brings together a superb array of repertoire for use from Ash Wednesday through to Pentecost, providing a comprehensive volume for this extended liturgical period. The pieces--largely based on well-known hymn tunes--vary in style and length, suiting a range of purposes, from processionals and interludes to voluntaries and recital works. A range of technical difficulty makes the book useful for players of differing abilities, and clean and uncluttered scores leave interpretative decisions to the performer. An invaluable resource for a major part...

33 grand ceremonial pieces that are ideal for use at weddings, as voluntaries, or for recitals. Not all the music is loud and extrovert: together with pieces like fanfares and marches, the collection contains a sprinkling of quieter items in solemn mood.

The second Oxford Book of Ceremonial Music for Organ is a practical collection of repertoire covering a wide range of uses, from formal public events to more private occasions. The music is stylistically varied, encompassing both flamboyant extravagance and restrained solemnity. Selected with players of intermediate to advanced ability in mind, the collection includes established favourites and attractive new arrangements of well-known works, alongside newly commissioned pieces.

John Philip Sousa's The Washington Post March was written in 1889 for the newspaper's essay-writing competition award ceremony, and very swiftly gained the wide popularity it has retained to this day. Robert Gower's well-crafted and playable arrangement will work well on pretty much any size of instrument, and will make a welcome addition to the organist's repertoire of ceremonial voluntaries for grand occasions.

Amy Beach was celebrated during her lifetime as the foremost female composer of the United States, and her writing was frequently inspired by the folk music of America and Britain. Originally for piano, her Scottish Legend evokes Scotland in its wistful melody, adorned by Scotch snaps and conveying a folk-like atmosphere, but spiced up with a few late-Romantic harmonies. Contrasts between major and minor are also used to telling effect in this gently attractive piece, sympathetically arranged for the organ by Robert Gower.