This work is suitable for SATB unaccompanied. This set of Preces and Responses, including the Lord's Prayer, will be enjoyed by all seeking new material for the liturgy. The largely syllabic four-part setting harks back to the music of the great Tudor masters, while the expressive harmony - including a magical key change for the Lord's Prayer and some mellifluous Amens - are pure Jackson.

for SATB (with divisions) unaccompanied First performed by the Choir of St Luke's Episcopal Church, Evanston, Illinois, in 2016, this powerful motet sets a reflective text by Augustine of Hippo. Connoisseurs of Jackson's music will recognise the hallmarks of his highly accessible style: inventive harmony that is largely diatonic but never plain, and textures that encompass the blazingly sonorous and the expressively intimate.

Suitable for SATB unaccompanied, this miniature sets an intimate prayer by St Augustine of Hippo asking for God's grace to know and serve Him. It is infused with Jackson's characteristic passion and luminosity and would be useful as a general purpose introit or used specifically within a Service of Light.

For SSATB and organ This attractive and uplifting anthem sets the text of the Eastertide Vidi aquam antiphon. Different parts of the text are treated to contrasting musical ideas, including extended melismatic upper-voice passages and mainly homophonic full-choir sections, and the undulating organ part represents the flowing water of the text. A welcome addition to a service or concert programme for all fans of Gabriel Jackson's music. Commissioned by the Friends of Lincoln Cathedral for their 75th anniversary and first performed by the Choir of Lincoln Cathedral with Charles Harrison...

This work is intended for SATB unaccompanied. This beautiful and spacious "Magnificat and Nunc Dimittis" setting of the Canticle of Mary is pure Jackson. Alternating stripped back, plainchant-style sections with homorhythmic passages for full choir, this music possesses an understated emotional intensity. The glorious key changes at the end of both the "Magnificat and the Nunc Dimittis" are spine-tingling. Appropriate for both Evensong and concert performance, this piece is well within the reach of most choirs.

for SATB (with divisions) and soprano saxophone Setting the original Latin text of the hymn better known as 'Hark! a thrilling voice is sounding', Jackson creates an Advent piece of beautiful stillness. The largely homophonic choral parts, with a soloist supplying a gentle contrapuntal line, are contrasted with light and graceful interjections from the saxophone. The result is a quietly moving piece ideally suited for a reflective moment during an Advent service.

SATB (with divisions) unaccompanied Am Abend is a setting of 'Grodek', which is thought to be the last work of the Austrian poet Georg Trakl. Written in 1913, the year before Trakl committed suicide at the age of 27, the poem is set in the town of Grodek on the Eastern Front, where he had served as a medical officer. Jackson's setting is agonizingly moving, opening with an eerie alto melody before the rest of the choir enter with haunting harmonies and cluster chords, reflecting the darkness of the text. Grace notes and glissandi add an Eastern flavour and evoke the 'wild lament' and 'dark...

for SATB (with divisions) unaccompanied This serene communion motet sets the last two verses of the Pangue Lingua and oscillates between 3/4 and 4/4 time signatures. The melodic lines are expressive and at times melismatic and the divisi in all parts creates a rich texture.