Papers from the 'Aesthetics and Rock Art III Symposium' held at the XV UISPP World Congress, Lisbon, 4-9 September 2006. Contents: Introduction (Thomas Heyd); 1) The magic of great art: do we have the answers? What makes some rock art unforgettable to some people? Does the magic lie in the mark, the maker or the viewer? (Margaret Bullen); 2) Does aesthetics have perceptual roots? (J. B. Der?gowski); 3) Aesthetics, function, and fashion in rock art: Reactions to 'Aesthetics and Rock Art' (John Clegg and Shiv Jamwal); 4) A rock art typology: Narrative and non-narrative figurative representation...
Papers from the 'Aesthetics and Rock Art III Symposium' held at the XV UISPP World Congress, Lisbon, 4-9 September 2006. Contents: Introduction (Thoma...
In this text, practitioners from primary and secondary schools in the UK, USA, Canada and Australia describe their experiences in integrating the teaching of children learning English as a second language into the mainstream classroom.
In this text, practitioners from primary and secondary schools in the UK, USA, Canada and Australia describe their experiences in integrating the teac...
Pared-down, playful and often very funny, Clegg's poetry keeps faith with what is tactile and tangible (moss, leather, bone), distilling plainspoken diction, luminous imagery and a unique worldview into lines which remain in the head for a long while after the book has been closed.
Pared-down, playful and often very funny, Clegg's poetry keeps faith with what is tactile and tangible (moss, leather, bone), distilling plainspoken d...
Full of real-life examples and practical guidelines. Provides support for both novice and experienced CLIL teachers. Areas covered include: the language used in CLIL, CLIL teacher training, materials design, and assessment in CLIL. Extra resources available on the website
Full of real-life examples and practical guidelines. Provides support for both novice and experienced CLIL teachers. Areas cov...
Shortlisted for the 2017 Ledbury Forte Poetry Prize For Second Collections. Sometime during the twentieth century, the self-mythology of the literary critic fused with that of the cowboy: lone outriders practising a defunct trade. In Holy Toldedo John Clegg tracks the critic's silhouette over the dangerous, sun-drenched landscapes of New Mexico, California, Nashville, Utah, Oxford, Cambridge, and London. Here is Donald Davie listening to gospel radio in a Nashville taxi, and here is F. R. Leavis standing on a chair, 'unscrewing instead the world from round the lightbulb'. Vistas of...
Shortlisted for the 2017 Ledbury Forte Poetry Prize For Second Collections. Sometime during the twentieth century, the self-mythology of the literary ...
