Sir James Barrie's fall from critical grace has been spectacular. Ranked in his own day with Shaw and Hardy, he is now usually dismissed as superficial, sentimental and commercial to the point of artistic dishonesty. Professor Jack argues that the naturalistic, psychological and national criteria used to condemn him are at odds with his proclaimed purposes. Using Barrie's own literary theory as contained in Sentimental Tommy and elsewhere, he measures the playwright against the standards of a perspectival art founded on the perceived needs of its audience. Barrie's thought and theatrical...