Donald Davie's poems are here arranged chronologically from the 1950s to the beginning of the 1990s. Taken together, the poems display that reverence for the distinctive qualities of the English language which has earned him a name as one of Britain's finest living poets.

"Davie's voice-judgemental, ironic, epigrammatic, humorous, self-lacerating-speaks always with reference to an unhuman perpendicular standard that itself goes unquestioned. It is not a standard of Beauty or Truth; Davie is a poet of the third member of the Platonic triad, Justice."-Helen Vendler, The New Yorker...

First published in 1961, this book examines a number of works popular in the Romantic period, during the heyday of Sir Walter Scott in the early part of the nineteenth century. Encompassing works by the likes of Alexander Pushkin, Sir Walter Scott, Adam Mickiewicz and James Fenimore Cooper, this is also a meditation on the nature of Romanticism and its enduring value, as expressed in the novel form. Donald Davie also considers the meaning and importance of 'plot' and of 'realism'.

First published in 1978, this study considers the impact of dissenting voices upon literature, religion and politics in order to reassess the nonconformist contribution to English culture from the eighteenth century through to the twentieth. This historical survey takes into the account the contribution of a wealth of seminal literary figures such as the poets Isaac Watts, Charles Wesley and William Blake; and the novelists Elizabeth Gaskell, George Elliot, Mark Rutherford and D. H. Lawrence. However, far from consigning his study merely to literature, Davie also includes important orators...

Offering both familiar poems and some fascinating unfamiliar ones, this anthology contains over 250 poems that deal with Christianity. Ranging from the Anglo-Saxon masterpiece "The Dream of the Rood" to the works of modern poets such as T.S. Eliot, W.H. Auden, Sir John Betjeman, and John Berryman. Davie has chosen works from around the world, including several women poets--such as the Elizabethan Countess of Pembroke and Emily Dickinson--as well as the four men whom he describes as "the masters of the sacred poem in English": George Herbert, Henry Vaughan, Christopher Smart, and William...