This volume maps the multilayered narratives created in cinema on and around Silvio Berlusconi as a means of exploring the age of Berlusconismo. The analysis crosses chronological and generic boundaries, stretching back to the comedy Italian style, which foreshadows the symbolic meanings incarnated by Berlusconi before he actually entered the public stage. The book delineates a comprehensive cinematic corpus and focuses on a selection of narrative and documentary films, from the proto-Berlusconi everyman of La piu bella serata della mia vita (The Most Wonderful Evening of My Life, 1972) by...