This book is an adaptation of the author's study. It aims to show Keith Arnatt's gradual transition from a conceptual artist to a photographer. It analyzes Arnatt's photographic work and puts it in a context of both Arnatt's own artistic career and the artistic movements at the time of the works' creation. It also aims to answer questions of acceptance of photography in the British society as well as the question of what constitutes documentary photography. Parallels between his themes in art and in photography are drawn, together with concepts such as absurdism, paradox, humor, originality,...