In this study of Minoan cult practice, the author looks beyond the many vivid images from Cretan prehistory, focussing on the stratigraphy of the artefacts and buildings. She lists all the known cultural rooms in a database and divides them into primary and secondary rooms, according to their cultural objects and architectural situation. The former were selected for their good state of preservation, with their artefacts found in situ. These rooms were characterised by objects which were recognised as cultural by archaeology, present in other ancient religions better known from written sources...
In this study of Minoan cult practice, the author looks beyond the many vivid images from Cretan prehistory, focussing on the stratigraphy of the arte...