Pan-Africanism has been a global project aiming to unite people of African descent since the late nineteenth century. Notions of Black and African arts and aesthetics have functioned as a bridge and brought positive identification across national, ethnic, or class divides even when rifts have appeared unbridgeable. They were able to mediate Africanity positively, both prior to and during the struggle for liberation and at times when the dream of a unified African nation died. This study explores central aspects, proponents, and opponents of Pan-African aesthetics and shows that...