Situates the remake as one of the primary responses to Bollywood's globalization and corporatization. Focused on post-1990 Bollywood remakes of Hollywood films, Déjà Viewed tells a larger story of the rapidly changing Indian film industry in the wake of globalization and corporatization. It situates the remake as a gendered response to these changes, drawing on approaches from film theory, gender studies, and cultural studies. The book looks at films from a variety of genres and modes, including the Bollywood family film, romantic comedy, noir, and melodrama, and each film's close analysis...