Benedict (Senior Lecturer, University of Exeter) Morrison
Dispels the idea that postwar British comedies were apolitical, arguing instead that they presented subversive, iconoclastic, queer experiments in living for a country that was rebuilding and reimagining itself after years of conflict. Eccentric Laughter explores new ways to watch postwar British film comedies, arguing that their representations of eccentricity offered a set of possible queer futures for a Britain that had been destabilized by years of conflict and social upheaval. Far from being the apolitical cinema described by previous critics, these comedies-including both perennial...
Dispels the idea that postwar British comedies were apolitical, arguing instead that they presented subversive, iconoclastic, queer experiments in liv...
