Michael Stern sets Nietzsche in conversation with Africana artists and philosophers to explore the role of aesthetics in decolonial worldmaking. Nietzsche, a theorist of power, morality, and aesthetics supplies a description of a world making that also destroys. His notion of the will to power explains how particular and local interpretations spread and dominate. Stern situates Nietzsche's thought alongside those of Africana artists and thinkers who, confronted with the effects of the slave trade and colonial violence, speak to new theoretical paradigms addressing erasure and displacement...