Aapo Huhta's book Gravity presents a collection of black and white studio portraits of human figures and shapes combined with imagery of mummified remains from late 16th-century Sicily. In these gently surreal scenes, human bodies float, enveloped in grainy textures from chemical residues and light leaks. By photographing and rephotographing through transparent and reflective objects, Huhta transforms the figures into contorted human-like creatures. He also manipulates the interaction of film, developer, and overly expired photographic paper by hand and re-establishes the unpredictability...