This book explores the intersections of migration and film festivals, with particular attention to their social functions . Adopting an interdisciplinary and multi-bottom line perspective, the authors address the purposes and circumstances of migration film festivals; their delimitation as distinct from other genres of festivals; their cinematographic creation; and their approaches to the curation and programming of films. Numerous questions arise in the process: Is social function prone to homogenization among migration film festivals? What are these festivals’ main constraints in...