This book provides a holistic approach to Harold Pinter’s plays, from his first play, The Room (1957), to his last play, Celebration (1999). The book is divided into three chapters, organized thematically. The first chapter discusses the early plays—the so-called comedies of menace—concerning the central tropes of secluded settings, intrusion from the outside, and disintegration of the self. The next chapter analyzes Pinter’s memory plays, concentrating on how characters shelter themselves from intrusions through silences and lies. The third chapter examines power games and abuse of...