Bringing together scholars from a wide range of critical approaches, this collection studies T.S. Eliot's engagement with desire, homoeroticism and feminism in his poetry, prose and drama. In particular, it illuminates the influence of Eliot's poet mother; the dynamic of homosexuality in his work; his poetic identification with passive desire; and his reception by female academics from the early twentieth century to the present. The book will be essential reading for students of Eliot and Modernism, as well as of queer theory and gender studies.