The eponymous first part of mclennan's new book consists of fifty "gifts" each centred around words, phrases, or "glyphs" of language that initiate and replicate their own fractal transformations: some remain simply found fragments about which other words and phrases unfold, some lose themselves into pieces that we forget were once found, some mirror themselves in other forms, others become simply something other in language as it moves both with and away from them, each creating a syntax of meaning that is specific to its own occasion. All are addressed to the poet's intimates--two dozen...