Hailed as groundbreaking upon its original release, the Oscar-winning film Boys Don’t Cry offered the first mainstream access to transmasculine embodiment in North America, one that many simultaneously celebrated and rejected. More than two decades after its original release, the film has become a lightning rod for contemporary debates about the representation of trans lives and deaths on screen. Representational possibilities for trans people have changed dramatically since 1999. Morgan Page and Chase Joynt approach the accumulated tension with a spirit of curiosity about the limits of...

The histories of the trans and sex worker rights movements are closely intertwined and, particularly in the UK, it's rare to find a carceral feminist who isn't also a rabid transphobe. What does it mean to write as part of a community that is under attack? Where, in fiction, is the line between exploring harmful ideology and humanising it? In Morbid Obsessions Alison Rumfitt and Frankie Miren explore these questions and talk about the crossover in the ways they chose to approach them in their novels Tell Me I'm Worthless (Cipher Press) and The Service (Influx Press), covering the pornographic...