This book focuses on James Kelman, a leading Scottish author, and his use of language. It examines how Kelman presents a spoken Glasgow working-class voice in his stories while breaking down the traditional distinction made between speech and writing in literature. Three main themes are explored: the use of Glaswegian/Scots language, the inclusion of working-class discourse features, and an expressive preference for spoken over written forms. Kelman’s writing is approached through an examination of his use of punctuation, spelling, vocabulary, grammar, swearing, and body language....