A fun and fabulous take on the art of making mistakes. Erik Kessels celebrates imperfection and failure and shows why they are an essential part of the creative process.
Failed it celebrates the power of mistakes and shows how they can enrich the creative process. This is part photobook and part guide to loosening up and making mistakes to take the fear out of failure and encourage experimentation.
It showcases the best and most hilarious examples of imperfection and failure across a broad range of creative forms, including art, design, photography,...
A fun and fabulous take on the art of making mistakes. Erik Kessels celebrates imperfection and failure and shows why they are an essential...
Tras la publicaci n de Usted puede ser lo bueno que quiera ser y ?Qu buen consejo! Phaidon publica esta gu a sobre c mo aprovechar los errores laborales y convertirlos en una oportunidad. Erik Kessles (Director de Arte y cofundador de KesselsKramer, una agencia de comunicaci n con oficinas en msterdam, Londres y Los ngeles) celebra las imperfecciones y los errores y nos ense a por qu son una parte imprescindible de cualquier proceso creativo. Contiene m s de 100 de los mejores y m s divertidos ejemplos visuales de "fallos" en Fotograf a, Arte, Dise o y Arquitectura acompa ados de...
Tras la publicaci n de Usted puede ser lo bueno que quiera ser y ?Qu buen consejo! Phaidon publica esta gu a sobre c mo aprovechar los errores labora...
Distilled from over 15.000 family albums, Incomplete Encyclopedia of Touch archives the human desire to put a hand on things. Whether itâs cars, boats, animals, trees, fridges, bridges, bushes, fellow humans or even their graves â everything that can be touched will be touched. Containing only 2.948 photos, this collection is far from ever being finished but provokes questions about the underlying motivations behind this universal pictorial behaviour. Do we seek connection? Do we claim ownership? Or do we just want to measure ourselves to the objects of our world? Perhaps you could ask...
Distilled from over 15.000 family albums, Incomplete Encyclopedia of Touch archives the human desire to put a hand on things. Whether itâs cars, boat...
A man flanked by an equal number of women on either side when photographed - placed exactly where he seems to prefer: right in the center. Is this manly act a matter of intent, instinct, or pure coincidence? And does this photographic composition belong to the past, or will it endure as long as one man and more women gather for a photograph?
A man flanked by an equal number of women on either side when photographed - placed exactly where he seems to prefer: right in the center. Is this man...
