Is it possible to discern women prophets' utterances embedded within lyrics of prophetic books? If so, women prophets would be represented as implied composers along with men. This study offers a reliable method in this effort, based on the sound patterns of lyrical Hebrew that disclose a consistent, clear 'signature' of women's oral composing more broadly, and a different signature of men's composing, across all lyrical genres and historical periods. Integrating feminist, postcolonial, and indigenous cultural approaches as well, this inquiry moves past closed doors of previous suppositions,...