Understanding the nature of civilization is more key than ever today with huge changes like the collapse of the Soviet Empire and the hostility of Arab civilization towards the West. Hagger sees civilizations as growing around a human response to the spiritual vision of God as Light. This passes into their religions and expresses itself in culture, particularly in buildings. They decline through progressively secularizing stages when their central idea of the Light is lost. The revival of the metaphysical vision in our time could lead to its culminating stage being that of a world government.

Presents a different philosophy focusing on a view of the universe and its bio-friendly, orderly rather than random, structure. This work focuses on cosmological bio-friendliness and the universal principle of order, and reconnects philosophy to the metaphysical tradition rejected by the Vienna Circle.

'Armageddon' is a contemporary epic poem about the major event of our own time. Written in blank verse, it narrates the defining event for civilisation today: President Bush's struggle against the Islamic extremism of Osama Bin Laden and al-Qaeda.

The fundamental theme of world literature has conflicting metaphysical and secular aspects which the Universalist tradition in literature combines, offering a new direction in contemporary literature.

Three and a half centuries after the form declined c.1640, Nicholas Hagger revives verse drama with "The Warlords", a panoramic two-part drama which focuses on the fortunes of General Montgomery after D-Day, and his conflict with Eisenhower. Like Tolstoy before him, Hagger is concerned to understand the role of war in the metaphysical cosmos, exploring the universal theme of the relationship between power and good in contemporary history. The second drama, "The Tragedy of Prince Tudor", tells the story of the Prince's heroic attempt to preserve the culture and identity of his disintegrating...

In "Classical Odes", Nicholas Hagger achieves a blend of poetry and history, of the traditions of Herodotus and Pausanias (both of whom visited classical sites) and of Virgil and Horace (who wrote of everyday life in the countryside). In the first four-book "Odes" since "Horace", he addresses the concerns regarding Western civilisation of Pound, Eliot and Yeats - particularly, the concern Eliot had about the impact of Europe on the man of letters - and finds a new way of carrying them forward. He catches the mood of our time: dismay at the end of the Great Britain of Churchill and Montgomery,...

In Fools’ Paradise, a mock-heroic poem on Brexit which complements his masque King Charles the Wise, Nicholas Hagger presents the most important British event since the Second World War: the Brexiteers’ struggle to wrest control of the UK’s laws, borders, money and trade from the EU and turn the UK into a more prosperous paradise. In 16 cantos and an epilogue of heroic couplets with an epic tone he narrates the 2018 Chequers compromise and its aftermath: the EU’s opposition, lack of internal support, looming ‘no deal’ and requests for extensions that keep the UK in the EU. He...

In Fools’ Paradise Nicholas Hagger presented the UK’s attempt to leave the EU under Prime Minister Theresa May in terms of the voyage of Sebastian Brant’s 1494 Ship of Fools heading with a mutinous crew for the illusory, nonexistent paradise of Narragonia. His mock-heroic satirical poem on the political chaos surrounding the most important UK decision since the Second World War is in rhymed heroic couplets, in the tradition of Dryden and Pope. In this sequel, Fools’ Gold, Hagger focuses on the beginning of Boris Johnson’s premiership, the promises that won him the 2019 General...