Enactive Cinema explores the psychophysiological grounds from which the experience of cinema emerges. It follows the traces left by Sergei M. Eisenstein, the Russian filmmaker and researcher of the pre-digital age, whose visions on organic-dynamic thinking carry implications for new kinds of interactive cinema even today. The book discusses in particular, what consequences the discoveries of the 21st century neurosciences have for cinema. It paves a neurophysiological explanation for authoring cinema as a socio- emotional simulation system of the other. The concept of enactive cinema...