This work is an investigation into the lived experiences of dance artists as they choreograph and perform through experimental collaborations. The initial research project included an ongoing experiment between Deborah Hay and Grace Mi-He Lee about the transmission of choreography. Continuing to question how choreography and performance are meaningful to dancers and further investigating how to transpose lived experiences of dance making and performing into text, the author initiated another research experiment with artists Grace Mi-He Lee and Tania Isaac. Collaborating on two duets...