Postmodernist films, in the social context of post-cold war China in the 1990s, corresponded with Deleuzes micro-politics of aesthetics to the culture of disintegration in these independent cinemas. The deformation of grant narrative has long been thought to play a major role in creating social change in China, in large part because the discourse in everyday life gives individuals opportunities to better understand the problems facing their transformaing society. In this research, drawing on Lou Ye, Wang Chao, Zhang Mings independent films, which make them well known among the...