This thesis addresses concepts of publicly performing 'free', 'free labour', consumption, and subversive representations of gender in video art. I use AIberto Greco's work as a vehicle to investigate my site specific performances. I am interested in how network culture and 'free labour' inform my practice. I critically assess these impulses and interests in 'free labour' in my own practice. I use Tiziana Terranova's assessment of 'free labour' to analyze and expand the discourse of my own practice. Underneath my interest in Western network culture is the influence of the Brazilian Modernist...