In his piano works especially, Erik Satie (1866-1925) was a witty musical caricaturist. The eccentric French composer loved to satirize academic rules in general and the impressionistic titles of Debussy's compositions in particular, giving his own works such surrealistic names as Pieces in Pear Form and Dried Embryos, and annotating them with equally bizarre musical directions: "Tres 'neuf heures du matin" (Very "nine in the morning"), "Corpulentus" (Corpulent), and so on. His comic spirit is equally embodied in the music itself, as this delightful selection of seventeen...
In his piano works especially, Erik Satie (1866-1925) was a witty musical caricaturist. The eccentric French composer loved to satirize academic ru...
Erik Satie's "drame symphonique" was composed on a commission from the Princess Edmond de Polignac. Satie based his text on selections from the Plato works Symposium, Phaedrus, and Phaedo which mention the Greek philospher in the French translation by Victor Cousin. The work was first performed at the salon of Pricess de Polignac in April of 1918 with soprano Jane Bathori singing all four roles and the composer at the piano. This new vocal score, produced in an easy-to-read format, is a digitally enhanced reprint of the one first issued in 1919 by Editions de la Sirene in Paris. Also included...
Erik Satie's "drame symphonique" was composed on a commission from the Princess Edmond de Polignac. Satie based his text on selections from the Plato ...
Debussy orchestrated two of the three Gymnopedies composed by his friend Erik Satie after giving an impromptu performance of the piano originals at the home of conductor Gustave Doret, who was so taken with them that he commissioned Debussy to prepare an orchestral setting for an upcoming concert, which was given on Feb. 20, 1897. Though Satie's piano originals are easily his most famous and beloved work now, they were virtually unknown in 1897. Debussy's orchestration of the first and last, presented in reverse order, did much to establish the younger composer's reputation. This newly...
Debussy orchestrated two of the three Gymnopedies composed by his friend Erik Satie after giving an impromptu performance of the piano originals at th...
(Schirmer Performance Editions). Six short pieces from Satie's early years, which capture the composer's graceful unconventionality. With historical and performance notes. Intermediate Level. Recordings of each piece can be accessed online using the unique code in the book.
(Schirmer Performance Editions). Six short pieces from Satie's early years, which capture the composer's graceful unconventionality. With historical a...
This is the largest selection, in any language, of the writings of Erik Satie (1866-1925). Although once dismissed as an eccentric, Satie has come to be seen as a key influence on modern music, and his writings reveal him as one of the most beguiling of absurdists, in the mode of Lewis Carroll or Edward Lear--but with a strong streak of Dadaism (a movement in which he participated). The nonconformism of Satie's private life seems deliberately calculated: he assumed various personae at different periods of his life, from the mystical -velvet gentleman- to the Dadaist disguised as quizzical...
This is the largest selection, in any language, of the writings of Erik Satie (1866-1925). Although once dismissed as an eccentric, Satie has come to ...
(Schirmer Performance Editions). Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Throughout his life, Satie was so surrounded with the creative and modern atmosphere that permeated La Belle Epoque (The Beautiful Era), that he himself became a symbol of the age. These six short pieces from the composer's early years capture the graceful conventionality that defines Satie. Intermediate Level.
(Schirmer Performance Editions). Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical ...
