An Iranian immigrant struggling to integrate into 1970s German society, the filmmaker Sohrab Shahid Saless (1944 98) has become a neglected figure in discussions of diaspora cinema. In this the first English-language book to reflect on his work and its implications for creativity in the diasporic conditions of urban displacement a range of international scholars provide a comprehensive account of Shahid Saless's films and production methods. Outlining his affinity with celebrated directors like Chantal Akerman and Abbas Kiarostami, as well as visual artists like Romuald Karmakar, the...