Dagur Kari's "Noi the Albino (Noi Albinoi, 2003)" succeeded on the international festival circuit as a film that was both distinctively Icelandic and appealingly universal. Its place within the history of Icelandic cinema highlights the specific problems faced by this small nation. This title examines the film.
Dagur Kari's "Noi the Albino (Noi Albinoi, 2003)" succeeded on the international festival circuit as a film that was both distinctively Icelandic and ...