The son of burgundian nobility, Bernard admitted after years of struggle that humility remained for him the most elusive of the virtues. Yet the uncompromising vehemence of his love for God made him strive for what monastic tradition taught is indispensable to anyone hoping to share God's perfect love.

The young abbot meditates on the singular role of the Virgin Mother of Christ 'to satisfy [his] own devotion', and in doing so bequeathes his own love of Mary and of Scripture to his Order and to the Church.

Perhaps Bernard's most delightful tract, On Loving God posits that everything good in human persons is an expression of God's love and by love the person may participate in the being of the triune God. In a new analytic commentary, Stiegman examines Bernard's language, logic, and theology, demonstrating the vital importance of reading medieval authors on their own terms, without superimposing categories developed by later generations.

A profound mystic, Bernard sought, above all and in all, to be with God and to bring all persons to the experience of God. His Sermons on the Song of Songs are among the most famous and most beautiful examples of medieval scriptural exegesis. In them the modern reader can catch a glimpse of the genius which an entire generation found irresistible.

The monk and the knight—the two quintessentially medieval European heroes—were combined in the Knights Templar, men who took the monastic vows and defended the holy places and pilgrims. With characteristic eloquence, Bernard of Clairvaux voices the cleric's view of the knights, warfare, and the conquest of the Holy Land in five chapters on the knight's vocation. Then, in another eight chapters the abbot who never visited the Holy Land provides a spiritual tour of the pilgrimage sites guarded by this 'new kind of knighthood.'

A profound mystic, Bernard sought, above all and in all, to be with God and to bring all persons to the experience of God. His Sermons on the Song of Songs are among the most famous and most beautiful examples of medieval scriptural exegesis. In them the modern reader can catch a glimpse of the genius which an entire generation found irresistible.

This book tells the life of a saint by a saint. Malachy O'Morgair spent his life and considerable energies exhorting, wheedling, badgering, and praying his countrymen back to christian faith and practice. Bernard holds him up in this Life, eulogy, and hymn as a model to bishops.

The son of Burgundian nobility, Bernard admitted after years of struggle that humility remained for him the most elusive of the virtues. Yet the uncompromising vehemence of his love for God made him strive for what monastic tradition taught is indispensable to anyone hoping to share God's perfect love.

The burgundian reformer abbot draws a picture of the perfect frontier bishop, and holds him up as a model for bishops everywhere. Conversion is used here not in the modern sense of transferring from one ecclesiastical body to another, but in the patristic and monastic sense of metanoia, turning one's entire being wholly to God.